• Home
  • Archives
  • Best of 2009
  • Groezrock 2010
  • Legal
  • Links
  • Advertise
  • Contact us
Subscribe: Posts | Comments | E-mail
  • News
  • Reviews
  • Features
  • Columns

Distorted Magazine

Posted on October 18, 2009 - by Imelda

Anti-Flag Instore – The Clash Covers Set

Live Reviews

George Petitt (Alexisonfire) + Justin Sane (A-F) © Imelda Michalczyk

George Petitt (Alexisonfire) + Justin Sane (A-F) © Imelda Michalczyk

Eastpak Store
Carnaby Street, London.
15 October 2009

Part two of the Anitdote Tour’s London stop off takes place the following night at the Eastpak store, tucked away in Carnaby Street in the heart of the West End.

The front of the shop is transformed into a tiny, make-shift gig venue – has anyone seen Anti-Flag play a show in a smaller space?! It’s a special treat for fans to see the band in such intimate surroundings, even if the glaring shop lights don’t do much to create atmosphere. Packed to capacity inside, the pavement outside is lined with those not early enough to get in.

Chris #2 (A-F) © Imelda Michalczyk

Chris #2 (A-F) © Imelda Michalczyk

Anti-Flag are doing a handful of such cover sets during this tour, as a tribute to their heroes The Clash. Tonight, it’s short and sweet – belting out about ten songs, including ‘London Calling’, ‘White Riot’, ‘I Fought the Law’ and ‘Safe European Home’. It can’t be easy to choose a setlist when covering a band whose music you know inside out. Beforehand, frontman Justin Sane tells me there were many more Clash songs he’d liked to have included, enthusiastically reeling off a long list of other favourites. Alexisonfire vocalist George Pettit is also invited to join in for two tracks, raising the energy a few notches with his expressive performance.

Alexisonfire's George Petitt © Imelda Michalczyk

Alexisonfire's George Petitt © Imelda Michalczyk

Of all bands, it does seem a little odd to have Anti-Flag play in a clothes/luggage shop – the disparity is not lost on them and they are making sure they use some of the exposure and financial benefits to direct attention and give donations to their chosen charity Emmaus, an organisation that works to enable people to move on from homelessness by providing work and accommodation. Justin Sane explained that they wanted to support a charity that worked across several countries, just like the tour itself.

Having paid their respects to Strummer and Co. by storming through a heartfelt set, the show is over and it’s time for happy fans to grab the chance to chat to the band who, as always, are more than willing to stick around and talk.

Clash Cover Setlist © Imelda Michalczyk

Clash Cover Setlist © Imelda Michalczyk

This entry was posted on Sunday, October 18th, 2009 at 11:11 am and is filed under Live, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Like this article? Why not share it with your friends?

Use on the the following services:

Why not check out these articles?

  • Alexisonfire + Anti-Flag + Four Year Strong + Ghost Of A Thousand
  • Album Reviews: Dirty Revolution / Riot Brigade / Kings Of Nuthin
  • Photos: Best of 2009
  • Record Reviews: Broken Nose/ Laura Stevenson And The Cans/ The Blackout Brigade
  • Daggers Punk Promotions + Distorted Present:

0 Comments

We'd love to hear yours!



Leave a Reply


Here's your chance to speak.

Click here to cancel reply.

  1. Name (required)

    Mail (required)

    Website

    Message

  • Browse Distorted

  • Popular News

    • Distorted Magazine is on hiatus by Editor on September 21, 2010
    • Rebellion 2010 by Editor on September 2, 2010
    • Subhumans + Girlfixer + Condition: Dead by Editor on August 18, 2010
    • The Slackers + Gecko by Editor on August 17, 2010
    • London International Ska Festival revival in April 2011 by Editor on August 17, 2010
  • Archives







© 2010 - DistortedMagazine.com | Hosting & Design by pixeldeath.com
Distorted (ISSN 1754-3746). Views expressed in the magazine's content belong to the contributors and do not necessarily reflect those of the publishers. The contents are believed to be correct at the time of publishing. The publishers cannot accept responsibility for any errors, ommissions or for changes in the details given. All rights reserved. Reproduction in a whole or in part of this magazine is strictly forbidden without prior written consent of the publishers.